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X-ORIGINAL-URL:https://pompeiisites.org/en/
X-WR-CALDESC:Events for Pompeii Sites
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DTSTART;VALUE=DATE:20191206
DTEND;VALUE=DATE:20200414
DTSTAMP:20260601T131433
CREATED:20191106T095530Z
LAST-MODIFIED:20191106T102018Z
UID:19051-1575590400-1586822399@pompeiisites.org
SUMMARY:Exhibition: Kenro Izu "Requiem for Pompei". From 6 December 2019 to 13 April 2020 Modena
DESCRIPTION:MODENA \nFMAV MATA – EX MANIFATTURA TABACCHI \nFROM 6 DECEMBER 2019 TO 13 APRIL 2020 \nTHE EXHIBITION OF \nKENRO IZU \nREQUIEM FOR POMPEI \nCurated by Chiara Dall’Olio and Daniele De Luigi \n \nThe exhibition presents 55 previously unseen photographs donated by the Japanese artist to the Fondazione Cassa di Risparmio di Modena\, in a lyrical vision of what was left behind in Pompeii the day after the eruption in 79 AD. \nModena is continuing to forge a special relationship with photography. Now one of the top locations in Italy for this particular form of expression\, it is capable of influencing the city’s whole cultural scene thanks to the contribution of institutions such as the Galleria Civica and Fondazione Fotografia Modena\, which merged in 2017 to become Fondazione Modena Arti Visive. \nFrom 6 December 2019 to 13 April 2020\, Fondazione Modena Arti Visive is hosting a captivating exhibition dedicated to Pompeii\, curated by Chiara Dall’Olio and Daniele De Luigi\, at one of its venues: FMAV MATA – Ex Manifattura Tabacchi. The exhibition is co-promoted by Pompeii Archaeological Park which is lending some reproductions of the famous plaster casts of the victims of the eruption for the occasion and will then host the exhibition on site in Pompeii. \nHeadlining the exhibition is Japanese photographer Kenro Izu (Osaka\, 1949)\, whose lasting fascination with the remnants of ancient civilizations has led to the creation of a series of images captured at the most important and best-known archaeological sites in the world\, from Egypt to Cambodia\, Indonesia to India\, Tibet to Syria.
URL:https://pompeiisites.org/en/events/exhibition-kenro-izu-requiem-for-pompei-from-6-december-2019-to-13-april-2020-modena/
CATEGORIES:Pompei
ATTACH;FMTTYPE=image/jpeg:https://pompeiisites.org/wp-content/uploads/Kenro-Izu.jpg
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DTSTART;TZID=Europe/Rome:20190314T080000
DTEND;TZID=Europe/Rome:20190314T170000
DTSTAMP:20260601T131433
CREATED:20190313T085942Z
LAST-MODIFIED:20190313T085942Z
UID:14052-1552550400-1552582800@pompeiisites.org
SUMMARY:NATIONAL LANDSCAPE DAY 2019 – 14TH MARCH 2019
DESCRIPTION:For National Landscape Day 2019\, set for the 14th March 2019\, the Archaeological Park of Pompeii will participate in the event\, promoted by the Ministry of Cultural Heritage and Activities\, with numerous initiatives: \nExcavations of Pompeii\nSeveral wall paintings which depict landscapes will be focused on\, with the distribution of an illustrated booklet. These include the frescoes of the garden in the House of the Ceii (I 6\, 15)\, which was recently reopened to the public\, where a vast landscape is depicted\, showing beasts hunting animals in a natural environment\, but in particular two frescoes on the side walls of the garden which depict Egyptian landscapes. In the garden of the nearby House of the Ephebe (I 7\, 10. 19)\, the masonry bed of the outdoor dining room features a long scene decorated with another Egyptian landscape.\nThe House of the Pygmies (IX 5\, 9) will\, exceptionally\, also be open to the public on this day\, where another fresco with an Egyptian landscape is preserved\, populated by certain characters (dwarfs or pygmies) who are depicted at a sacred place on the banks of the River Nile.\nThe examples considered demonstrate the spread to Pompeii of the fashion of depicting exotic places on walls\, populated by foreign characters taking part in unusual activities and superstitious rites\, with unusual or unknown animals. \nExcavations of Oplontis\nTaking centre stage will be the large wall fresco of Triclinium 15\, where a sweeping sacred landscape – the courtyard of a sanctuary dedicated to the god Apollo\, as demonstrated by the large tripod which rises in the centre of the wall – is depicted. The two small panel paintings that appear on the right and left of the wall\, which are referred to with the Greek term pinakes\, and which depict two foreshortened sea views\, are veritable landscapes within a landscape.\nAt 10 o’clock and at 12\, there will be a talk given by a specialist from the Park\, who will speak about the Villa of Poppaea and the indicated fresco. \nExcavations of Stabiae\nHere the frescoes of Villa San Marco which depict landscapes\, and which appear both in the sections with trees which line the walls of the villa and in the small paintings which adorn it\, will be focused on.\nAt 10 o’clock and at 12\, there will be a talk given by specialists from the Park\, who will speak about Villa San Marco with particular reference to the indicated frescoes. \nAntiquarium of Boscoreale\nTwo frescoes which are normally kept in storage will be presented to the public at the Antiquarium. The first\, which comes from an illegal excavation which took place in the Vesuvian area\, presents two landscapes depicted using an unusual painting technique – monochromy – which in this case was created using various shades of green.\nOn the other hand\, the second fresco depicts a landscape connected to a scene from a famous Greek myth\, which is frequently represented in Pompeian painting: the young hunter Narcissus\, seated on a rock in a forest\, is reflected in a pond\, and falls in love with his own reflection.\nAt 10 o’clock and at 12\, there will be a talk given by a specialist from the Park\, who will talk about the museum\, with particular reference to the indicated frescoes.  Download the brochure.  \nNB. Participation in the events relating to Landscape Day is included in the price of the entrance ticket.
URL:https://pompeiisites.org/en/events/national-landscape-day-2019-14th-march-2019/
LOCATION:Pompeii\, Pompei\, 8050\, Italia
CATEGORIES:Pompei
ATTACH;FMTTYPE=image/jpeg:https://pompeiisites.org/wp-content/uploads/evento.jpg
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DTSTART;TZID=Europe/Rome:20170622T200000
DTEND;TZID=Europe/Rome:20170723T200000
DTSTAMP:20260601T131433
CREATED:20170601T070508Z
LAST-MODIFIED:20180803T171224Z
UID:3752-1498161600-1500840000@pompeiisites.org
SUMMARY:Pompeii Theatrum Mundi
DESCRIPTION:The first festival of ancient drama ‘POMPEII THEATRUM MUNDI’ will be held from 22nd June to 23rdJuly 2017 at the Teatro Grande in Pompeii including plays from ‘Oresteia’ to ‘Prometheia’\, from ‘Antigone’ to ‘The Bacchae’ and ‘Phaedra’\, directed by De Fusco\, Luconi\, De Rosa\, Cerciello. It is a four-year project overseen by the Teatro Stabile of Naples/National Theatre and the Archaeological Park of Pompeii.\nConceived for the Teatro Grande in Pompeii\, the four-year project ‘POMPEII THEATRUM MUNDI’ is the result of the collaboration between the Teatro Stabile of Naples/National Theatre and the Archaeological Park of Pompeii. It comes after the reopening to the public of the Teatro Grande\, and is part of a broader programme promoting the site.\nFrom 22nd June to 23rd July\, the stage of Pompeii’s theatre (built in the 2nd century BC) will be the setting of a series of ancient dramas. There will be a structured schedule\, with four great dramas re-enacted before a vast audience in the enthralling atmosphere of Pompeii’s excavation sites. \n\nScheduled plays: \n22nd – 25th June\n‘Oresteia’ (‘Agamemnon’ and ‘The Libation Bearers’/’The Eumenide’)\nThe series will open on 22nd June with Aeschylus’ ‘Oresteia’ (‘Agamemnon’ and ‘The Libation Bearers’/’The Eumenide’)\, staged by Luca De Fusco and produced by the Teatro Stabile of Naples. ‘Oresteia’ is the only ancient Greek theatre trilogy to survive in its entirety. It will be on stage for four days (from 22nd to 25th June) on alternate days in two parts\, ‘Agamemnon’ and ‘The Libation Bearers’/’The Eumenides’. After a two-year tour in Italy and abroad\, the play now arrives at the Teatro Grande in Pompeii\, where it was originally destined to premiere. \n30th June – 6th July\n‘Diptych’ directed by Massimo Luconi\n‘Prometheia’ by Aeschylus (from 30th June to 2nd July)\nThis is the national debut starring the actor Luca Lazzareschi in the role of the great and mysterious mythological character. The play is produced by the Teatro Stabile of Naples and by the Campania dei Festival Foundation – Napoli Teatro Festival Italia.\n‘Antigone. An African story’ by Jean Anouilh (5th and 6th July)\nPerformed in the French and Wolof language with Italian surtitles\, this production originates from a three-year workshop run by the director Massimo Luconi in Senegal with young Senegalese actors.\nA group of six actors from Senegal will be joined by some Senegalese chorists residing in Naples\, Italy. The play is produced by Terzo piano theatre in cooperation with the French Cultural Institute Saint Louis and the Teatro Metastasio of Prato. \n14Th – 16th July\n‘The Bacchae’ by Euripides\nThe fourth scheduled event will be the national debut of ‘The Bacchae’ by Euripides\, staged by the director Andrea De Rosa. “’God is dead’\, wrote Nietzsche over a century ago and despite the absurd religious wars still looming on the horizon of recent history\, that verdict seems final and irrevocable. But the sacred? The mysterious? Have they also disappeared from our lives forever?” The director continues\, “Theatre is still the place where a god can come to life? Where we can listen to their voice and\, above all\, ask them questions?” The play is produced by the Teatro Stabile of Naples and the Teatro Stabile of Turin. \n22Nd – 23rd July\n‘Phaedra’ by Seneca\nThe series will close on 22nd and 23rd July with ‘Phaedra’ by Seneca\, directed by Carlo Cerciello and translated by Maurizio Bettini. The show is produced by INDA (National Institute of Ancient Drama)\, an Onlus Foundation and will arrive in the unique and fascinating Teatro Grande in Pompeii after having premiered at the Teatro Greco in Syracuse\, performed at the Teatro Antico in Segesta\, in Taormina and in the Roman theatre in Ostia Antica.
URL:https://pompeiisites.org/en/events/pompeii-theatrum-mundi/
LOCATION:Pompeii\, Pompei\, 8050\, Italia
CATEGORIES:Pompei
ATTACH;FMTTYPE=image/jpeg:https://pompeiisites.org/wp-content/uploads/pompei_theatrum_mundi_22-2.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20170406
DTEND;VALUE=DATE:20170408
DTSTAMP:20260601T131433
CREATED:20180601T072605Z
LAST-MODIFIED:20181123T161334Z
UID:3758-1491436800-1491609599@pompeiisites.org
SUMMARY:RESTORING POMPEII
DESCRIPTION:International Study Days\n6 th April 2017 Pompeii – Auditorium\n7 th April 2017 Naples – Partenope Convention centre\nThe Great Pompeii Project is the main focus of the two International Study Days ‘Restoring Pompeii’\, organised by the Superintendency of Pompeii and the Department of Architecture of the University of Naples ‘Federico II’. The two Study Days will enable an open discussion on the outcome of the four-year project to restore many houses and re-open large areas of the site\, which in some cases have been off- limits for quite some time. There will be a detailed outline of the restoration works\, from the post-war period to the current day describing operations involving all the ‘Regiones’\, excavation sites\, and the most important restorations of the ‘domus’ in putting safety measures in place for those areas now open to visitors. There will be discussions on new enhancement strategies\, including the project ‘Pompeii for All’ aimed at removing architectural barriers in the archaeological areas\, the reasons and benefits of information gathering plans\, the new experiences in designing\, and the launch of planned and structural\nmaintenance services to ensure Pompeii’s conservation in the future.\nThe conferences will take place on Thursday 6 th April at the Auditorium in Pompeii and on Friday 7 th April at the Partenope Convention centre in Naples. The inauguration of the exhibition ìPicasso and Naples: Parade’ at the Museum of Capodimonte will conclude the two Study Days. No prior registration is required to attend the conferences.
URL:https://pompeiisites.org/en/events/restoring-pompeii/
LOCATION:Pompeii\, Pompei\, 8050\, Italia
CATEGORIES:Pompei
ATTACH;FMTTYPE=image/jpeg:https://pompeiisites.org/wp-content/uploads/Restaurando-Pompei-001.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170314
DTEND;VALUE=DATE:20170315
DTSTAMP:20260601T131433
CREATED:20170312T142922Z
LAST-MODIFIED:20181204T151146Z
UID:3763-1489449600-1489535999@pompeiisites.org
SUMMARY:Pistoletto in Pompeii
DESCRIPTION:  \n14 th MARCH NATIONAL LANDSCAPE DAY AT THE EXCAVATION SITES OF POMPEII-POMPEII’S RE-BIRTH. MICHELANGELO PISTOLETTO’S ‘THIRD PARADISE’ \nAgreat celebration and a flash-mob in the Palestra Grande of Pompeii helps bring a ‘Third Paradise’ to life with Michelangelo Pistoletto\, inspired by the re-birth that Pompeii is experiencing. \n\nPompeii’s re-birth can be seen through Pistoletto’s symbol and his ‘Third Paradise’. The symbol of the ‘Third Paradise’ is the reconfiguration of the mathematical infinity symbol. It is composed of three consecutive circles where the two opposite circles represent nature and artifice while the middle one is the conjunction of the two and represents the womb of re-birth. On 14 th March\, the symbol of the master generated a collective action which narrates the past\, present and future of Pompeii. It is the re-birth of the site which can now be seen by all.. The installation was created for National Landscape Day\, an initiative scheduled for 14 th March 2017 and launched by the Ministry of Cultural Heritage and Activities and Tourism to celebrate the landscape\, its history\, as well as its importance for the identity of the country. It will be on display in the Palestra Grande until the end of July. Visitors to the site\, students\, and the staff of the Superintendency got involved for the great event of interactive realisation of this great undertaking that brings together the past\, present and future through the use of diverse symbolic materials. The artist met with the public and the press to speak about the meaning of his work and its continuous re- expression in different places and contexts. Also present were the General Director of the Superintendency of Pompeii Massimo Osanna\, Fortunato D’amico from the Cittadellarte-Pistoletto Foundation\, Paolo Mighetto the curator of the performance for the Superintendency of Pompeii\, and Gianluca De Marchi from URBAN VISION the main sponsor of the event. In 2003 Pistoletto wrote the ‘Third Paradise’ manifesto and designed its symbol\, represented by a reconfiguration of the mathematical infinity symbol. The large circles drawn were inspired by the theorem of Trinamics\, the dynamics of the number three. It was the combination of two units that gave rise to a third distinct\, new unit. Thus\, the 3 was a re-birth which took place as a result of a fortuitous\, or desired\, combination of two elements. In Pompeii the ‘Third Paradise’ is crafted and blended with all of those materials that have contributed to building it in the past and continue to transform it in the present and for the future. Thus in the circle of the past we find lapilli\, pumices\, tuff blocks\, ceramic waste\, residues of plaster casts like fossils of a lost civilisation\, but also construction materials such as the wheel of a water mill\, and archaeologists’ tools that were used to preserve the history of the site and humanity. Wi-Fi antennae\, ‘ConTe’ electronic bracelets\, and a computer symbolise the future and its technology. The central circle is the new life of the Site which keeps regenerating itself between the past and the future. Here nature reclaims its role through the plants\, herbs and flowers that once grew in Pompeii whose seeds have been found among the ashes by the archaeologists. A peace has been created that can only be found through trying to live in harmony with the environment. \nhttp://it.terzoparadiso.org \n http://www.cittadellarte.it/
URL:https://pompeiisites.org/en/events/pistoletto-a-pompei/
LOCATION:Pompeii\, Pompei\, 8050\, Italia
CATEGORIES:Pompei
ATTACH;FMTTYPE=image/jpeg:https://pompeiisites.org/wp-content/uploads/scheletro-bambimo-Terme-centrali.jpg
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